Monday, 30 March 2015

FOUR FOR APRIL

Cinema CNC presents...
FOUR FOR APRIL

All screenings in room 1-306 at  the College of New Caledonia. Showtimes: 7pm + 9:30

Passes: $28. Available at Books and Company and the CNC Bookstore [and at the door]
Single Tickets: $8 regular, $7 student, senior, unemployed. Available at the door.


APRIL 25: PHOENIX



APRIL 25: PHOENIX
Dir: Christian Petzold
Germany, 2014
German with subtitles 98 minutes
Principal Cast: Nina Hoss, Ronald Zehrfeld

Following the success of his previous film, Barbara, Petzold returns with another story of a fiercely determined woman — and the deeply divided society to which she belongs — caught between a tragic past and an uncertain future.

Emerging from a concentration camp at the end of World War II, Nelly Lenz undergoes significant reconstructive surgery to repair a facial injury caused by a bullet wound. Presumed dead by her friends and relatives, fixated on the memories of her former life and unable to accept the shattered reality before her, Nelly returns to Berlin to fulfill the dream that sustained her throughout her imprisonment: reuniting with her husband, Johnny. But even as she scours the ravaged city to find him, she is haunted by terrible, whispered rumours that it was Johnny himself who betrayed her to the Nazis.

Travelling beyond Barbara’s setting in the former East Germany to further explore his country’s dark twentieth-century history, Petzold positions Nelly as a powerfully ambiguous representation of the title’s phoenix: rising from the ashes of her broken life, she strives not to begin anew but to reclaim the old dreams of the past. Gorgeously shot, featuring impeccable art direction, a faultless score, and two powerhouse performances in the leading roles, Phoenix is one of the most thrilling and engrossing dramas of the year.

The Trailer:

APRIL 18: A MOST VIOLENT YEAR



APRIL 18: A MOST VIOLENT YEAR
Dir: J.C. Chandor
USA 125 mins.
Cast: Oscar Isaac,
Jessica Chastain, David Oyelowo

   
A MOST VIOLENT YEAR is a searing crime drama set in New York City during the winter of 1981, statistically the most dangerous year in the city’s history, and centered on the lives of an immigrant and his family trying to expand their business and capitalize on opportunities as the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built.

Starring Oscar Isaac (INSIDE LLEWYN DAVIS) and Jessica Chastain (ZERO DARK THIRTY), this gripping story plays out within a maze of rampant political and industry corruption plaguing the streets of a city in decay.

The film examines one immigrant’s determined climb up a morally crooked ladder, where simmering
rivalries and unprovoked attacks threaten his business, family, and, above all, his own unwavering belief in the righteousness of his path.

J.C. Chandor has put together a remarkable crime drama, which is also an immersive period piece and morality tale that resonates on an emotional level. Chandor is a talented director who takes risks with every film that he makes and A MOST VIOLENT YEAR is no exception.

The Trailer:

APRIL 11: TIMBUKTU



APRIL 11: TIMBUKTU
Dir: Abderrahmane Sissako 
France/Mauritania/Mali, 2014
Arabic, French, Tamashek with subtitles
97 minutes 
Cast: Abel Jafri, Toulou Kiki, Ibrahim Ahmed

Set during the early days of the 2012 fundamentalist takeover of northern Mali, Timbuktu is a powerful drama about the everyday woes and resistance of ordinary people in a city overrun by extremist foreign fighters.

Under new fundamentalist rulers, music, laughter, and sports (even soccer) have been prohibited, women have been forced to cover their heads on pain of death, and kangaroo courts have been established that hand down horrendous punishments for even the slightest and most absurd of infractions.

Kidane, a proud, independent herder who lives on the edge of the city with his wife, daughter and adopted son, has so far been unaffected by the city’s harsh new regime. But when, during a row over the slaughter of his prize cow, he accidentally kills a fisherman, he witnesses and experiences firsthand the nightmarish perversion of “justice” practiced by the city’s ruthless occupiers.

Inspired by real people and events, Timbuktu accomplishes what only the greatest of art can: from the atrocities of war and oppression, it distills something luminous, lyrical and poetic. Featuring stunning
cinematography by Sofiane el-Fani, consummate editing by Nadia Ben Rachid, and outstanding performances from its ensemble cast, Timbutku movingly attests to the human will to resist the terrors and injustices of absolutism.

The Trailer:

MAY 1: LAND HO! NEW DATE



MAY 1: LAND HO!
Directors: Aaron Katz, Martha Stephens
ICELAND/USA, 2014    English 96 minutes
Principal Cast: Paul Eenhoorn, Earl Lynn Nelson, Karrie Crouse

This film did not arrive in time for our April 4 show, but we have it now. Please note that this showing is on FRIDAY... a bit of a departure from regular Cinema CNC season screeings.

Showtimes are still 7 + 9:30, and the film is in 1-306 at CNC.

Land Ho! follows the bawdily comedic escapades of aged ex-brothers-in-law Colin and Mitch as they set off across Iceland’s first-class cities, grand coastlines and hauntingly primordial countryside with the intent of “getting their grooves back.”

Disenchanted with life after a forced retirement, former oculoplastic surgeon Mitch shows up on the recently divorced Colin’s doorstep with two tickets for an all-expenses-paid trip to the Land of the
Midnight Sun. Mitch has planned a busy itinerary — luxury hotels, indulgent spas, picturesque hiking, renowned restaurants and trendy nightclubs — all in the interests of helping him and his long-time pal escape the monotony of their everyday lives back home in America. The off-beat pairing of the brash, unruly

Mitch and the forlorn, mild-mannered Colin soon proves to be a perfect storm of trouble as they mull over art, baffle over molecular gastronomy, and skip from lighthouses to lighting up.Collaborating for the first time, writer-directors Martha Stephens and Aaron Katz further establish themselves as leading lights of contemporary American independent filmmaking. With Land Ho!, they’ve created a light, lively throw- back to those 1980s road comedies we all loved while touching movingly on themes of aging, loneliness and friendship.

The Trailer:

Tuesday, 24 March 2015

The Saddest News

This is the content of a Facebook post I made today: if you have already seen it, please pardon the repetition. I want to make sure that everyone whom Bergman touched has the opportunity to know he has passed away and to miss him.


To those friends who haven't heard, Bergman was diagnosed with liver cancer last Wednesday; he hadn't been feeling great for a while, and it is as if the diagnosis gave him permission to let go: we had to say goodbye to him, yesterday.
He was known by many names: World's Greatest Dog, World's Smartest Dog, Mr. Handsome, Señor Poopypants, Mr. Dog, Dogg Snoopy Snoop [street name], "B", Mr. B, Smartybuckets, Hey, You!, King of the Hill, Master of the Universe, Harasser of Squirrels, Scourge of the Crows, Digger of Holes, Sniffer of Posts, Wary of Small Children, Lover of the Rest, Poop Dog, The Slowest Walker, Mr. Busy... and many more. He responded to/ ignored all these, depending on the circumstances and his mood.
To me, he was my greatest companion... the first face I saw every day loved me unequivocally and also made sure I got down to business. Bergman loved a routine; he had many. If you were charged with looking after him at any time or spent a lot of time in his company, you know this: he had a way of establishing a pattern of activity around himself that worked both for him and for his people... he wasn't selfish, though; Bergman was oddly generous with his affection, time, intelligence, and patience. I say "oddly", because he was a dog; it is only on reflection that we can see how truly fine a dog he was, because he performed his simple magic for us every day in ways that made him seem natural, when he was, in fact, something else.
Bergman came into my life during a particularly bumpy period and stayed there when things got bumpier. He saw me through to a much healthier, happier place, and I just hope that he realized my gratitude. I ended up putting a lot of emotional weight on his little back; he carried it and asked for more. I love Bergman and feel an ache now that he is gone.
I know that Bergman touched many lives: our neighbourhood dogs and people; the College of New Caledonia; the Cinema CNC crowd; folks just out and about. He has friends who will miss him and I know you share our loss, particularly the staff at the downtown Post Office [where we went every day... yes, there were snacks], the staff at The Northern Hardware [more snacks], the folks at Books and Company [yes, snacks]. Bergman walked picket lines in support of Postal Workers, College Staff, UNBC Faculty, Teachers, Health Care Workers... he was truly the People's Dog.
I'd like to thank all the dog-friendly businesses and services [known and unknown to them] that we have visited... I've named some and will miss many, but Homework and Dandy-Lines have been constants over the years. As well, the staff at the Sylvia Hotel, Restaurant and Lounge have been great hosts and have showered Mr. B with all the affection he could handle. If there is a dog heaven, it looks a lot like the Sylvia... full of friends, snacks, a selection of other dogs, a beautiful outdoors, a lovely indoors [including a great carpet for scratching one's back] and plenty of routine.
Bergman loved Prince George and had many special ideas about what constituted a good walk... maybe a little digging, maybe a little chasing, sometimes a swim in the Nechako [he was an enthusiastic if rather crappy swimmer], tons of sniffing and inspecting. He would like you to know that if I hadn't distracted him at a crucial moment he WOULD HAVE CAUGHT THAT SQUIRREL THAT TIME AT COTTONWOOD PARK. I have a feeling this is a scenario that played out in the dreams he often had, when he would run and bark with his eyes closed.
Nothing but time will heal the loss that I am feeling. I type very self-centredly, but know that Melinda shares the pain and the above sentiments. Bergman had many close friends: Allison, Pierre, Ouella, Noe, Madeleine, Bruce, George, Anne, Sophie, William, David, Wanda, Lola, Mollie, Marta, Inban, Peter, Dawn, Tracy, Kieth, Nieve, Andrea, Ken, Oreo, Val, Bev, Kathy, Fran, Zoe, Chad, Azriel, Kenny, Calista, Claudio, Robyn, Adrian, Theresa, Andreas, Bob, Dave, Audrey, Gina, Winston, Dono, Caillou, Amos, Mark, Doug, Bernie, Mileen, Tai Jee, Shannon, Rob.... and many, many more. I am losing it a bit, so if I missed you, you know who you are [I regret even starting to type this group... it seems impossible]. This is an extremely long post, but seems necessary under the circumstances... you need to know why the sun refuses to come out, why the moon will seem a little duller for a while, why a pall seems to shroud us... at least this is the world as I experience it.
I leave the last word to W.H. Auden who sums up the reasonable unreasonableness of this situation: [and I like that he gives a prominent mention of "dog"]




Stop all the clocks, cut off the telephone
or, Funeral Blues, by W. H. Auden

Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.
Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.
He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.
The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood.
For nothing now can ever come to any good.

Tuesday, 17 March 2015

Felix & Meira March 21



























FELIX & MEIRA – MARCH 21: New and improved... now with English subtitles!

After the surprise of the film festival, we are pleased to announce that we will be showing this film in a format for all our audience on March 21st. IN ROOM 1-306 AT CNC... THIS IS NOT AT THE PLAYHOUSE.

We are in a bit of a pickle, logistically, but in the spirit of positivity we will rely on the good nature of our audience to help us out. If you held a ticket for Felix and Meira at the film festival, you can return and watch the movie for free. If you received a refund, please don't... you are welcome to purchase a ticket... as would be anyone else who would like to come to this film. Those who missed the festival and would like to make up for it, here's your chance. Everybody is welcome.

We will have two screenings, 7 pm and 9:30 and will do our best to accommodate everyone. If you are coming for free to the 7 show, please arrive by 6:45 to ensure a seat [otherwise you will need to come at 9:30 if we sell out].

All tickets will be $8, except for those who already have a ticket. [or had a ticket... we understand the issue and trust you]

Regardless, this is good news, and we hope that everyone can make it to these screenings.

Here's a re-visit of the film description:

FELIX & MEIRA
Dir: Maxime Giroux  105 minutes
French/English/Yiddish
Cast: Martin Dubreuil, Hadas Yaron, Luzer Twersky

An unusual romance blos­soms between two lost souls who inhabit the same neigh­bourhood but vastly different worlds. Meira, a young Hasidic Jewish mother in Montreal's Mile End dis­trict, secretly rebels against her faith by listening to soul music and taking birth control pills; Félix is a loner grieving the recent death of his estranged father.

Intrigued by Meira, Félix hopes her religious devotion will provide insight into his loss, and though she rebuffs him at first, a mutual affection soon arises between the two. As Meira's desire for change becomes harder for her to hide, the young woman is faced with a stark choice: remain within the community she has always known, or pursue an uncertain future outside of it.