Sunday 10 February 2019

The Fireflies Are Gone – March 3rd: 2 pm


March 3rd: 2 pm: The Fireflies Are Gone [
La disparition des lucioles]
Director: Sébastien Pilote 
CANADA, 2018
French w/ English subtitles 95 minutes 
Principal Cast: Karelle Tremblay, Pierre-Luc Brillant, Luc Picard, Marie-France Marcotte, François Papineau 
Former TIFF Rising Star Karelle Tremblay (Les êtres chers) stars as an angst-ridden teenager, teetering between malaise and wanderlust in a small industrial town, in the latest from Québécois filmmaker Sébastien Pilote (The Auction). 
It is near the end of high school, and Léo (Tremblay) dreams of escape. She feels stuck in her small-town, industrial Québécois life. The easiest target for her frustrations is her stepdad, a local talk-radio celebrity on the wrong side of a political divide that forced her union-organizing father out of town. Léo misses her father and yearns to leave, but her rebellion du jour only seems to manifest itself as a feeling of uneasiness. Enter Steve (Pierre-Luc Brillant, C.R.A.Z.Y), a much older metalhead who still lives in his mother’s basement. 
Léo is fascinated by Steve, and sees in him much more than the archetypal loser he may appear to be. He is kind and genuinely content to teach guitar in his bachelor cave and take his mom’s Shih Tzu on daily walks. As their relationship grows over the summer, an ever-present longing lingers beneath the surface of their friendship — and Léo must decide how to express her deep desire for 
something more.
Like Sébastien Pilote’s previous films, The Fireflies Are Gone is rooted in the struggles of changing rural Quebec. However, the tenacious vigour of Léo’s teenage angst, brought to life by the magnetic Tremblay, sets this film apart from the director’s earlier work. 
Winner of the Canada Goose Award for Best Canadian Feature Film at TIFF 2018, The Fireflies Are Gone revels in exquisite close-ups and dreamy musical flourishes that harken back to classic melodramas; Pilote creates an evocative pop fantasy amidst the customary political tensions in a small Quebec town. 
“This is a satisfying, slightly mournful seriocomedy that’s equal parts cynical, hopeful, and ambivalent.... The film’s secret weapon is Brillant ... who brings a sly, centered heart to a figure too content with his humble lot to be the sad sack one initially expects.” —Dennis Harvey, Variety 

THE TRAILER:


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